for any two or more players. basically, they're songs with a melody, a countermelody, a bass line, and suggested harmonies.

kind of tricky, but do-able.

I got a gig once from my student's dad to play for his holiday party at the historic Giando on the Water (che mafioso!) for a bunch of anesthesiologists of various faiths; he happened to be Jewish and wanted something klezmeresque, if not just straight-up klezmer. So I gathered together three-fourths of this fine group, two of whom I know from this other fine group (and long since then, I started this fine activity with the third guy), who brought some klezmer tunes they knew, some original tunes they wrote for the first aforementioned fine group, and I wrote this little collection of pseudo-klezmerishesque-folksy-whatnot for the same occasion. We didn't perform all of the tunes and I was, to my sadness and shame, reminded of how much difficulty I still have with tonal improvisation, but thankfully, it's gotten better since then!

indeterminate time because of opportunities for improvisation.

2004.

score.

do consider making a donation (of any amount), if you choose to perform this piece, make copies of it, use it for educational purposes, if it has improved your life in any way (otherwise, yes, it's yours for free; it is copywritten, so give credit as necessary):

 

performance history:

6 June 2009. The Brooklyn Conservatory of Music, Brooklyn NY. The Brooklyn Side-Saddle Sallies: Andrea La Rose, flute/ukulele; Stephanie Richards, trumpet; Joanne Maffia, vibraphone/percussion; Brad Kemp, bass.

back to composition page